Sun Möller-Park

Camouflage

2024

In a way, a society can be regarded as a grid. We, as participants, all camouflage ourselves to fit inside this societal grid. During that process, some resemble the “societal norm” and blend in. Some display different characteristics and stand out. Although we camouflage ourselves in different ways, the goal is to coexist inside this societal grid in a harmonious way.

In an ideal society, the preexisting and newcoming characteristics work together seamlessly to create a more diverse and vibrant atmosphere. It adds life to the otherwise monotonous and predictable grid system. It transforms the society into a space full of energy, where we continuously inspire and support each other. 

Led by this thought, this project explores the relationship between a grid and the elements that exist within the grid. The focus is on how the elements “camouflage” themselves inside the grid. Do they passively fit into the grid, or do they actively morph themselves in a way that changes and even disrupts the whole structure?

In five steps, I document how simple basic grids that were created at the beginning transform into more dynamic and unpredictable structures in the end. In other words, how a “passive” camouflage turns into a more “active” camouflage that differs radically from the structure it originally started with.

1. Passive camouflage

Nothing is out of place. There is little to no deviation. The subtle differences are perfectly camouflaged into the grid and the the grid as a whole does not experience any disturbance.

2. Active camouflage

Noticeable differences start to occur, mostly in the size of the elements. Patterns start to emerge and they start being registered as anomalies

3. Drastic camouflage

Angular tweaks are thrown into the mix for an added layer of unexpectedness. Although they exist within a grid, it’s evident that the elements clash and collide with each other.

4. Distorted camouflage

Distortion is added for an added level of unexpectedness. As a final step, gradients and textures are added. 

5. Applied camouflage

The distorted canvases are applied to 3D surfaces.

Sources

Gradients: Sean Sinclair